I have arrived at the finishing line of the long adventure that is (or was) the OCA degree process. I started my journey in November 2015 and submitted for my final assessment in January 2023 and to my great surprise I am now the holder of a BA(Hons) in photography.
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In this blogpost I’d like to introduce one of our most established interior design degree students – Tracy. Tracy has been studying with us for some time, and it has been great to see how far she has progressed on her learning journey with OCA over the last few years, and how much her design work has developed.
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If you’re moving forward and engaged things happen… so it’s always worth giving something a go as you never know where it’s going to end up.
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As Programme Leader for Drawing I have been privileged to work with Drawing Programme Tutor Charlie Duck over the last year.
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Sometimes Keeping up Momentum events develop a momentum of their own. This post describes our experience of working together, with a hope that this will inspire others to do the same. The four of us (from the Drawing, Creative Arts, Painting and Photography pathways) met in January at Keeping up Momentum – Pushing the Envelope as Team Transmit and enjoyed the experience enough to decide to continue after the workshop.
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I want people to post about their musical lives, about composition, there works, about the nuts and bolts. I encourage people to think of themselves as part of music history. To take documentation seriously.
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The creative process and the editorial process are completely different things. When you are creating things, encourage the editorial part of your brain to take a nap, so you can work fearlessly, with no inhibitions. Then, when it is time to edit what you have done, make amendments, and focus on the detail, wake the editorial part of your brain back up.
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A small but dedicated group of painters spent a drizzly afternoon in Huddersfield looking at the latest instalment of the Contemporary British Painting Prize, before it moves on to Thames Side Studios in London.
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A big part of any spatial design study will be researching the designs that have come before. This could be as far-reaching as researching classical architecture or as close to home as exploring a new space that just opened around the corner.
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The grant, by enabling the partaking of this exhibition, has produced some long-term affects including personally increasing my confidence in exhibiting and engaging with an audience directly but also an understanding knowing that the subject matter is one that is of societal and cultural interest and needs to be continued.
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