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What I learned writing an LGBT film
Posted: 14/02/19 09:55 | 1 Comments
LGBT History Month is all about promoting equality, diversity and education. If you are writing or making a film with an LGBT theme, there is a responsibility on the artist to be truthful when dealing with topics that – for many – are delicate, if not life changing.
Study event: Essex Road V
Posted: 13/11/18 01:46 | 0 Comments
Join OCA tutor, artist, and Moving Image Unit Leader (Fact + Fiction) Ruth Maclennan on Saturday 15 December at Tintype Gallery in London.
What happens to a place once the film crew has left?
Posted: 07/08/18 09:27 | 1 Comments
Some places are used to being film sets and one more film doesn’t affect their sense of themselves – think of Paris, New York or Venice. Small communities however can find the consequences of being used as the backdrop to a feature film disruptive and even traumatic. I have just come back from the north coast of the Kola Peninsula in Arctic Russia where I’ve been researching a new film.
What is it about lists?
Posted: 18/09/17 09:14 | 1 Comments
I have to admit that I cannot find fault with the top ten comedies of all time as selected by all those critics. I’d probably put most if not all of them into my most loved comedies. Would you?
Filming in Almaty, Kazakhstan
Posted: 24/08/17 09:25 | 0 Comments
Last month I was invited to give a masterclass in moving image to a group of young artists in Almaty Kazakhstan, for the ‘School of Artistic Gesture’ as part of an initiative of ArbatFest – an independent arts festival that has been going for seven years in the city.
The debate continues…why?
Posted: 21/08/17 09:58 | 6 Comments
It’s not that I am bored by the seemingly continuous debate about the demise or even death of celluloid, just rather irritated. Recently I was alerted to a Twitter whinge that no one liked using film anymore to take photographs – that is as a medium for stills photography. My observations lead me to a […]
What makes a cult film
Posted: 16/08/17 09:07 | 5 Comments
I am sure we all have our own list of favoured cult directors and films; the more obscure, the greater one’s cineaste credentials. I am not going to reveal mine, but I do wonder what credentials are needed for both the creator and the created.