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Drawing Invisible Cities: A Close-Reading and Drawing Workshop

Using selected extracts from Italo Calvino’s book ‘Invisible Cities’, on Wednesday 23 March I held a drawing and close-reading workshop to explore his writing and create a series of speculative drawings that imagine the cities he describes.

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Augmented Reality – what place does this have in art?

The primary focus for Artivive, going by their website, appears to be its use in galleries, but I was beginning to see the potential beyond that context. What if artists could add an audio track for people with literacy difficulties? Or a video of themselves talking about the work? Or how about a video comprising photos showing how the finished piece came about? 

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More Than Sum Parts: Exhibition News!

OCA students Kym (Coratin) Walker and Steve Meyfroidt are delighted their work ‘fragile power’ is currently on display in the RE:FORM Exhibition at Florence Arts Centre, North Cumbria. 

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Postcard from the edge of Art and Science

Increasingly fascinated with the connections between Art and Science, I was delighted to secure a place on Edinburgh University’s ASCUS* Art and Science on a Postcard 2021 event which took place earlier this year over three consecutive weekends.

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Image-making and image-faking

How do you balance healthy scepticism (and the urge to debunk) with openness to new information and the desire to believe?  Sometimes, when it comes to image-making and image-faking, all it takes is a few hoax fairy photos to remind you to maintain your sense of wonder…and look a little closer.

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Thinking about making and physical objects

It’s important for us, as designers of space, to consider our projects three-dimensionally; to consider how our designed components come together to function spatially. A crucial method of exploring this is through the production of models and the assemblage of physical objects.

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Thinking about drawing space

Drawing (the act of) is a vital tool that helps us as artists and designers to think, to test and explore our thoughts and ideas, and to visually and critically analyse the development of our work. Therefore drawing, and drawings, are about describing and conveying important information.

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