Caroline, alongside others, worked on SPIRAL, a project that explored multi-sensory dimensions of materials with disabled people. They aimed to explore if creative approaches could intersect with the work of UCL researchers to bring new and stimulating experiences to people.
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Winner of FORMAT2021 Shutter Hub portfolio award, Wales-based photographer, artist and OCA student Anna Sellen launches virtual multimedia exhibition ‘Drip by drip, we are fed with concrete’ at CULTVR Portal this month.
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Using selected extracts from Italo Calvino’s book ‘Invisible Cities’, on Wednesday 23 March I held a drawing and close-reading workshop to explore his writing and create a series of speculative drawings that imagine the cities he describes.
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The primary focus for Artivive, going by their website, appears to be its use in galleries, but I was beginning to see the potential beyond that context. What if artists could add an audio track for people with literacy difficulties? Or a video of themselves talking about the work? Or how about a video comprising photos showing how the finished piece came about?
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OCA students Kym (Coratin) Walker and Steve Meyfroidt are delighted their work ‘fragile power’ is currently on display in the RE:FORM Exhibition at Florence Arts Centre, North Cumbria.
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OCA student Kate Nicholson reviews her experience of a recent study event.
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Increasingly fascinated with the connections between Art and Science, I was delighted to secure a place on Edinburgh University’s ASCUS* Art and Science on a Postcard 2021 event which took place earlier this year over three consecutive weekends.
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How do you balance healthy scepticism (and the urge to debunk) with openness to new information and the desire to believe? Sometimes, when it comes to image-making and image-faking, all it takes is a few hoax fairy photos to remind you to maintain your sense of wonder…and look a little closer.
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The slideshow below provides an overview of changes to the areas of learning, teaching, assessment and curriculum at OCA.
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It’s important for us, as designers of space, to consider our projects three-dimensionally; to consider how our designed components come together to function spatially. A crucial method of exploring this is through the production of models and the assemblage of physical objects.
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