Archive

Linda Cassidy – from OCA foundations to UCA BA

Congratulations to our Open College of the Arts (OCA), Foundations Drawing student Linda Cassidy, whom is about to embark on the University of the Creative Arts (UCA), at Farnham, BA (Hons) Fine Art undergraduate programme.  

Linda was interviewed, about her experience on the Foundations Drawing unit, by Cheryl Huntbach, Unit Leader, tutor and assessor.

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Jenny Saville on Rembrandt

I have always thought that serious art is not just something put into the world by its makers to express their feeling or point of view or as a reaction to some external stimulus. It’s also in conversation with work made in the past, sometimes reluctantly, sometimes in spite of the artist’s intention. To a greater or lesser extent, all works of art join a continuum that stretches back to prehistory.

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Study event: Drawing at the British Museum

Sarah Jaffray, Project Officer for the Bridget Riley Art Foundation will be leading a looking, discussing and drawing workshop within the Prints & Drawings room at the British Museum. The event will be held on the 29 April from 11am.

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Remake/Remodel: A workshop to generate ideas and questions

Join OCA tutors Bryan Eccleshall (Painting/Drawing) and Priscilla Edwards (Textiles) for a day long workshop at Sheffield’s Millennium Galleries on the 25 May 2019.

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Drawing from the past. Part 2.

Last time we spoke about the ideas that lie behind the Drawing from the Past. This time I want to focus on what students will get from completing the course.

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*New course alert* Drawing from the past. Part 1.

Artists and OCA tutors Cheryl Huntbach and Bryan Eccleshall have written a wonderful new course for foundation drawing students. Here we ask them a little about how they approached writing it and what the course has to offer students. The resulting conversation will be published across two blog posts.

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Message to drawing and painting pathway undergraduates

Hello – I’m Emma Drye and I’m the new programme leader for both the drawing and the painting pathways. For everyone on those pathways, I wanted to write to you to introduce myself and some of my ideas.

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Contemporary drawing research

I wanted to bring together a short summary of the most recent book in the Drawing series – Vitamin D2, focusing particularly on some of the artists featured whose drawing practices it might be interesting and useful for students to look at.

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Great artists can always draw a crowd…

Anyone who has seen me attempt anything beyond a stickman knows that drawing and painting are not amongst my talents. Fortunately, our tutors know their stuff…

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W.W.B.R.D*

It’s something to take your time over, both in appreciating it, and developing your own art. Because, Fine Art is experimentation, how far can you push something, how far can you take it until it meets what you want it to do. It’s only through experimentation and trying new things and combinations that you’ll get there.

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