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Study tips


Printmaking studios at home

During covid lockdown I’ve been so grateful I have a studio space at home. I was reflecting how my OCA students use their homes as studios. I asked a number of printmaking students to reflect and share how they made printmaking spaces within their homes.

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Exhibitions – Physical and virtual

One of the positive effects of lockdown is that we all have to think outside the box and to take risks, myself included. The online exhibition, Study Visit and Artist talk was not something I was considering but these have proved to be a fantastic way to promote my work to a wider audience. I am looking forward to being able to hang my work in a gallery as originally planned. 

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Who is Acting? Tightening Up Agency in Storytelling.

The heart of any story is somebody (or a group of somebodies), and the things that they do, their actions, in response to their desires and aversions. If you keep the focus on this, you will be able to tell much more powerful stories.

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OCA wellbeing: What’s in your wellness toolkit?

It’s a challenging situation we find ourselves in, and I realised that all of my usual ‘wellness tools’ are unavailable to me owing to the restrictions in place, so it’s no wonder even little day to day issues feel more difficult.

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Tips on how to photograph your work for assessment

In this short video I talk to OCA tutor and historical artefact photographer Derek Trillo. We discuss ways of making the most of the camera you have and how it is possible to take good quality photographs during lockdown. 

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What if…

What if … I can’t go outside to photograph. Below are some tips and suggestions of some aspects to explore and photographers to look at.  The list is by no means exhaustive, so please do add and share. Some courses/assignments are more dramatically impacted than others, so do talk to your tutor.  Use the forums to share and connect with other students. 

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Age of the image

It’s important for all art students to explore and understand the potency of images. A good deal of that rests on understanding the way that image-making has changed and been changed, by whom, and to what purpose. It’s a complex subject with technology, psychology, politics, science, and artistic vision all playing their part.

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Starting a creative practice PhD

When I started my first module with Open College of the Arts, I hadn’t even committed to a Undergraduate degree let alone considered the possibilities of going on to study at master’s or PhD level, but here I am! My time studying with OCA allowed me to start believing in myself giving me the opportunity to fully explore materials and techniques that lead eventually to a very research-based approach to my practice.

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