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My hope is that we can resume in person meetings as soon as practicable with a combination of tutor contributions, gallery visits and more informal meetings. We could also continue to meet remotely recognising that it is a useful addition to our programme and aids access.
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Since childhood I have been fascinated by the ability of film music to completely capture an audience’s imagination. The OCA Enterprise funding seemed the perfect opportunity to find out more about the work of film composers, and I was delighted that my application to fund a masterclass with acclaimed composer Laura Rossi was approved. Due […]
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Join the OCA East of England regional group’s next meeting via on Zoom on Saturday 25 July 2020 1.00pm – 3.00pm. The topic being discussed – Being Critical.
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When talking about conflict in scriptwriting, we don’t simply refer to the central ‘battle’ between our main character and their antagonist force. Conflict is also in the skilful crafting of contrasting sensorial elements, weaved into the scenes; it becomes a contrast of sounds, insertion of small elements of disturbance, use of light and shadows.
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The edge-zine team have extended the deadline for submission to 15 July 2020. The theme for the next collaborative issue is Connection and is open to all OCA students, tutors, and alumni.
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Last year OCA launched an ambitious new 10-year strategy, available on our website, that talked of closing equality gaps, and making a curriculum that is ‘sensitive to global and cultural contexts’. But how to get there? How do we make a curriculum that is reflective of the work and perspectives of people all around the world? How do we ensure that there are no equality gaps?
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