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art education
A guide to tutoring prisoner students – Part 2
Posted: 01/07/20 09:50 |
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In this blog post I want to outline the different options prisoners have for carrying out the research element of their courses. As with most things relating to prisons, the specifics of each of these will differ between establishments, but what I want to emphasise is that it will very rarely be the case that someone can’t do research – it may just take a bit of effort on their part.
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OCA new course: Material and Making: Approaches to Sculpture
Posted: 30/06/20 09:09 |
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This new foundation course introduces various key methods for material investigation, through approaches to making that challenge students to navigate, explore and respond to their three-dimensional environment. We encounter a vast range of materials and objects in our daily lives and this course enables students to exploit the materiality around them in creative ways, forming transferable skills for further study in different areas, primarily Creative Arts and Fine Art pathways.
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‘Do the Trod’
Posted: 26/06/20 09:48 |
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The past couple of weeks have found us in the middle of a culture war around statues and TV but, as Ash Sarkar reminds us, ‘the context of a work – film, telly, whatever – is bigger than that piece of content on its own. Meaning is what happens when a work is in conversation with its audience’.
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A guide to tutoring prisoner students – Part 1
Posted: 24/06/20 09:18 |
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Tutoring prisoner students can feel like something of a minefield. It can be difficult to decipher fact from fiction from the information shared in the press about what prisoners do (and don’t) have access to, as well as what the individual is expecting from you, or you from them. Hopefully this series of blog posts can provide a bit of information and a few suggestions to help make this easier.
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Revealing the gaze in Vince Staples’ ‘Señorita’
Posted: 19/06/20 09:55 |
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In a time when we’re saturated with images of race and violence, reading an image should also involve thinking about how it positions me, the viewer, in relation to it.
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Addressing the gap – What and why are there gaps at OCA?
Posted: 15/06/20 11:02 |
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Last year OCA launched an ambitious new 10-year strategy, available on our website, that talked of closing equality gaps, and making a curriculum that is ‘sensitive to global and cultural contexts’. But how to get there? How do we make a curriculum that is reflective of the work and perspectives of people all around the world? How do we ensure that there are no equality gaps?
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