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Pere Bruach, Author at The Open College of the Arts - Page 2 of 3

To find out more details about the transfer to The Open University see A New Chapter for OCA.

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Pere Bruach


Looking at the future of textiles: Science and technology thumb

Looking at the future of textiles: Science and technology

Many Artists and designers use more unconventional techniques and unusual methods, usually from other fields to create their collections. Sometimes using materials or processes that are technology/science led bring very interesting outcomes and new ways of working that can open new doors for the future of Arts and Design.

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Looking at artists: Paper thumb

Looking at artists: Paper

I usually start working with paper as a medium for drawing and painting, to create collages, folding it to make 3D models… We may live in a digital world, but for creatives using paper has by no means diminished. Folded into origami and kirigami, laser-cut, layered and made into sculptures, artists can transform a humble sheet of old tree into a spectacular artwork.

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Looking at artists: Textile graduates thumb

Looking at artists: Textile graduates

This September, Chelsea College of Art, showed the best of their MA Textile Design students work. I went to visit the exhibition in the main gallery space next to the Tate Britain in London. It is a fantastic space for students working in different fields within Art and Design. I very much recommend our students […]

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Ornamental hysteria thumb

Ornamental hysteria

Within the context of postmodern critical theory, the primacy of television, and the rampant culture of commodification sweeping America, artists like Bickerton endeavoured to reframe the practice of art production in response to the new, seductive mechanisms of desire at work in society.

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Looking at artists: Kaarina Kaikkonen thumb

Looking at artists: Kaarina Kaikkonen

Kaarina Kaikkonen studied at the Academy of Fine Arts between 1978 and 1983. She has become one of the leading artists of Finnish art thanks to her work in sculpture and installations using clothing. Her research is primarily distinguished by using old clothes, which are bearers of stories and anonymous memory.

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Thinking about scale in textiles thumb

Thinking about scale in textiles

In tutorials with my students we often discuss scale. Many of them are afraid of trying to work large and usually feel more comfortable painting and making on a smaller scale. In this blog post I will show you 3 exciting textile artists and their installations – pieces that exploit the possibilities of textiles on a very large scale.

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Choosing materials for textiles thumb

Choosing materials for textiles

It is important to choose materials that are fit for purpose. Sometimes the materials we choose can be the beginning of a project and be the main line that guides our work.

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Nature as a source of inspiration thumb

Nature as a source of inspiration

Many artists and designers have been inspired by nature. In this blog post I will share a few contemporary textile creatives with you whose source of inspiration and material comes from nature and who then translate it into fascinating pieces.

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Recycling and reusing in textiles thumb

Recycling and reusing in textiles

Reusing materials, objects and waste to create textiles is a very interesting process, not only because we are giving a second life to the material but also because it gives history to the new piece, a sense of a past life.

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Fashion, textiles, performance and protest thumb

Fashion, textiles, performance and protest

Looking at American Dancer/Performer/Sculptor Artist Nick Cave it is really inspiring. He is best known for his “Soundsuits”, which are exciting wearable Textile pieces, almost sculptures that look whimsical, bright and other-wordly looking. He regularly performs in the sculptures himself, dancing either before the public or for the camera.

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