Last week an artwork sold at Christie’s Auction House for $65m (about £47m). ‘Everydays: The First 5,000 Days’ by the American artist Beeple (better known to his family as Mike Winkelmann) is now the most expensive piece of digital art ever created, but its provenance and value are not contained within the work itself, as […]
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Congratulations to our Open College of the Arts (OCA), Foundations Drawing student Linda Cassidy, whom is about to embark on the University of the Creative Arts (UCA), at Farnham, BA (Hons) Fine Art undergraduate programme.
Linda was interviewed, about her experience on the Foundations Drawing unit, by Cheryl Huntbach, Unit Leader, tutor and assessor.
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I’m constantly fascinated with how light can transform the perception of a space and the relationship between light and materials. My use of materials and processes are the result of my exploration of different planes, distortion, translucency, line and structure.
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Áine Katrina Byrne is a Textile Artist and Designer originally from Ireland and now based in London. After Completing her MA at the RCA, Áine spent time working as a designer in India, before returning to London to continue her work within the field of textile design. Áine woven designs both digitally and by hand for the fashion industry, supplying high end clients and the high street. Áine is based in Hackney Wick Space studio and works as a lecturer at CSVPA.
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For centuries, women have fought against adversity to pursue artistic careers in what was (and arguably still is) a man’s world. They have suffered the humiliation of having their works passed off under someone else’s name, of being barred access to training, of struggling to do what men have taken for granted (simply represent themselves on canvas or celluloid) and of having their pieces relegated to dark corners of museum and gallery storerooms.
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I have always thought that serious art is not just something put into the world by its makers to express their feeling or point of view or as a reaction to some external stimulus. It’s also in conversation with work made in the past, sometimes reluctantly, sometimes in spite of the artist’s intention. To a greater or lesser extent, all works of art join a continuum that stretches back to prehistory.
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It was great to see such liberated and stimulating interplay between students and the work they were making. Unfamiliar drawing methods were explored including drawing with lengths of cane, using coloured tapes to collage with and stitching with a domestic sewing machine to create a variety of textured marks and lines. As the session progressed spontaneous collaborations began to develop between students where one would work over another’s drawing or drawings were developed together to produce an innovative dialogue of marks.
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All over Britain art students of all ages are setting up end of year shows. From primary school to adult education, from higher education to post graduate, artworks are filling up boards for family and friends to view and assessors to scrutinise. Open House studio exhibitions are a particularly popular way to show your work to the general public and this year I have signed up for the Richmond ARThouse Open Studio event.
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As a new textiles tutor at OCA I have been invited to introduce myself on the #weareoca blog. I am a sculptural installation artist based in Oxford and my work is heavily research based. My research explores the fabric and clothing found in mass graves and its ability to help forensic investigations after atrocity.
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Join OCA Midlands Photography students for a day with artist Stephen Burke on Saturday 22 June at Blast Festival of Photography in the West Midlands.
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