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Regional group in focus: OCA East of England thumb

Regional group in focus: OCA East of England

My hope is that we can resume in person meetings as soon as practicable with a combination of tutor contributions, gallery visits and more informal meetings. We could also continue to meet remotely recognising that it is a useful addition to our programme and aids access.

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Study event review: Masterclass with Laura Rossi  thumb

Study event review: Masterclass with Laura Rossi 

Since childhood I have been fascinated by the ability of film music to completely capture an audience’s imagination. The OCA Enterprise funding seemed the perfect opportunity to find out more about the work of film composers, and I was delighted that my application to fund a masterclass with acclaimed composer Laura Rossi was approved. Due […]

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Virtual Study Event – OCA East of England & friends thumb

Virtual Study Event – OCA East of England & friends

Join the OCA East of England regional group’s next meeting via on Zoom on Saturday 25 July 2020 1.00pm – 3.00pm. The topic being discussed – Being Critical.

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What is conflict? thumb

What is conflict?

When talking about conflict in scriptwriting, we don’t simply refer to the central ‘battle’ between our main character and their antagonist force.  Conflict is also in the skilful crafting of contrasting sensorial elements, weaved into the scenes; it becomes a contrast of sounds, insertion of small elements of disturbance, use of light and shadows. 

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Addressing the gap – What and why are there gaps at OCA? thumb

Addressing the gap – What and why are there gaps at OCA?

Last year OCA launched an ambitious new 10-year strategy, available on our website, that talked of closing equality gaps, and making a curriculum that is ‘sensitive to global and cultural contexts’. But how to get there? How do we make a curriculum that is reflective of the work and perspectives of people all around the world? How do we ensure that there are no equality gaps?

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Lockdown reading thumb

Lockdown reading

Writers need to be readers. How else do we increase our vocabularies, our knowledge of what’s been tried, our understanding of how something as banal as layout affects the way we read? And now is the time when splendid isolation means that some of us can really immerse ourselves in a book, without the interruptions of normal life.

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Virtual study event: Susan Bright | Collaboration & Creative Practice thumb

Virtual study event: Susan Bright | Collaboration & Creative Practice

We are delighted to announce a special guest lecture by renowned international curator Susan Bright. The format is a zoom webinar-style meeting. You can watch, listen and ask questions using the chat box. Please register in advance to help us plan numbers.

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Student stories: My quarantine diary thumb

Student stories: My quarantine diary

My name is Victoria, I’m 20 years old and currently studying Creative Arts at OCA. A few weeks ago I realised this scenario in which we are living right now is definitely going to be a mark in the history of our generation. That said, I figured it would be relevant to start registering my quarantine days here in Brazil, as a way to preserve my experiences and memories.

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Reading like a writer – Reading prose thumb

Reading like a writer – Reading prose

Recently I ran a couple of workshops on the art of close reading, so for those of you who were unable to attend (and for those who did attend but would like a refresher) I’ve put together a two-part blog, looking first at an extract from a novel and then at a poem.

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