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Galleries Blog Posts - Page 7 of 16 - The Open College of the Arts

To find out more details about the transfer to The Open University see A New Chapter for OCA.

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Aspirations thumb

Aspirations

Join OCA tutor Les Monaghan on the 11 February at Stockport Art Gallery.

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Are you ready for the work of Monica Bonvicini? thumb

Are you ready for the work of Monica Bonvicini?

Join OCA tutor Emma Drye on the 21 January in Gateshead.

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Difficulty and accessibility thumb

Difficulty and accessibility

As I left the exhibition I passed an advert screen headed Mindfulness suggesting viewers should attend evening sessions to find out how art can “calm body and mind.” What! I want art, whether it’s visual or written to stimulate body and mind, not calm it.

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In conversation with: Angela Fraleigh thumb

In conversation with: Angela Fraleigh

My work is about how meaning gets made. I’m interested in how narratives become dominant, how power structures evolve, and what roles pop culture, literature, and art history play into this. From early on I’ve collapsed what I see out there with what I’ve created internally — an overlapping of cultural and personal narratives. I try to question how those cultural narratives are structured and unfolded, and how they shape our experiences.

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William Kentridge and Vivienne Koorland: Conversations in letters and lines thumb

William Kentridge and Vivienne Koorland: Conversations in letters and lines

Join OCA tutor Wendy McMurdo at the Fruitmarket Gallery in Edinburgh on the 14 January.

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Study visit review: Textiles in Manchester thumb

Study visit review: Textiles in Manchester

Earlier this month I had the pleasure of doing a textiles study visit to Manchester. I had arranged for the students to see two quite different but related exhibitions.

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Night Soil thumb

Night Soil

Male mermaids appear in baths; a stack of brightly painted bodies make a human pyramid on a New York rooftop; a woman dressed only in tree branches and face paint hugs a tree. Welcome to the world of Melanie Bonajo.

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Favouring the bold thumb

Favouring the bold

Abstraction appeared to be taken at face value and enjoyed, rather than seen as evidence of under developed motor skills. As an assessor of undergraduates I felt that I would have selected the same work myself and so I was drawn to look at the assessment criteria used by the panel.

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Study Visit: Gateshead thumb

Study Visit: Gateshead

Join OCA tutor Emma Drye on the 19 November at the Workplace Gallery, Gateshead. We will view This Is it, Isn’t It? an exploration of ideas of self-awareness, self-reflexivity and self-doubt as a core of artists’ practice.

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