Amarjeet Nandhra
Posted: 05/11/15 09:05 | 3 Comments
OCA tutor and assessor Sandra Flower looks at the work of ‘Textiles 3’ student Amarjeet Nandhra. Amarjeet has investigated the concept of incidental marks in her body of work, using research in the broadest possible sense to develop her ideas.
Posted by author: Mark Lomas
> Next Post Stealing Voices
< Previous Post Study Visit Review: Photomonth East London Photography Festival
Student Story: Virginia Barrantes Fernandez
Posted: 03/07/26 09:03
0 Comments
0 Comments
My practice explores how women and AFAB artists reclaim bodily agency through material, narrative...
Read more
Choosing the right OCA course for you
Posted: 01/07/26 09:49
0 Comments
0 Comments
Are you feeling stuck with choosing which course to apply for? At OCA, we offer...
Read more
Student Stories: Anthony Carey
Posted: 30/06/26 04:03
0 Comments
0 Comments
Creative Arts Programme tutor Rachel Smith is in conversation with Stage 3 student Anthony...
Read more
Moving image in Visual Communications
Posted: 15/05/26 09:37
0 Comments
0 Comments
In Vis Com we have had a significant uptake of students exploring moving image...
Read more
Really great work, thanks for sharing. What I really appreciate is the huge body of development work which has created a really layered process which shows in the work.
Lovely portfolio of work, thank you for sharing, Having just completed Distortion of Surface I have become so aware of the effect of time and elements on surfaces. I particularly love the rust layering and markings.
Amarjeet’s process of discovering as well as creating incidental marks opens up many possibilities. It allows the artist to create an illusion of time and chance, to recreate what happens naturally. I have been looking at different grounds and how they influence the layers above them. This work by Amarjeet encourages me to experiment with incidental marks within the lower layers of my paintings.