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Jane Parry
OCA welcomes its first student to the new Mixed Media course
Posted: 17/08/11 02:31 |
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OCA tutor Linda Khatir welcomes student Vicky Speirs onto its new Painting 2 course, Mixed Media; one of the options if working towards the BA(Hons) Painting degree, or the BA(Hons) Creative Arts degree. Linda says: ‘in previous modules Vicky has shown an inventive and enthusiastic approach to art practice. This is important when considering the […]
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Top of the class?
Posted: 17/08/11 11:40 |
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Its hard to know who we ‘should be looking at’ when studying art. It’s easier to follow one’s nose and just investigate artists when you come across something you like. However, I can’t get away from the niggling feeling that there must be lots of contemporary artists that I should know more about, but its […]
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A story of achievement: from nursing to success as an artist
Posted: 17/08/11 08:35 |
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The creative urge just won’t go away….. that’s what brings many people in mid life to OCA. Here Jane Perkins tells the story of her mid life conversion to achieve her creative dreams. ‘As a young child, I always enjoyed being creative; drawing, embroidery and ‘making things’. From school, I trained as a nurse and […]
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Naked ambition? Big thinker? Profound artist?
Posted: 16/08/11 11:10 |
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In painting you have to confront your own history and all your naked ambition; there’s no escape. And you have to confront the whole history of art. Picasso said when he saw the paintings at the Lascaux Caves, there is nothing more to be done.’ said Hoyland in his interview with Damien Hirst in 2009. […]
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Light and dark…..a photographer’s eye in a workhouse
Posted: 15/08/11 02:15 |
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I went to the opening of OCA tutor Maggy Milner’s new show at the Victorian workhouse in Southwell last week (previously posted about here). The installations were delicately beautiful, and deeply sensitive and thoughtful evocations of the possible feelings of the workhouse inhabitants. What was most striking about the event was how engaged people were […]
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From sketchbooks to paintings: Barbara Rae shows us how
Posted: 08/08/11 12:09 |
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The new Barbara Rae sketchbooks edition (Royal Academy 2011) is a revelation and I believe will help all those who struggle to maintain the freshness and spontaneity of their sketchbooks in their final work. Barbara Rae defies definition in the contemporary art scene, but has a solid and consistent voice that has been unwavering in […]
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I love u will u marry me
Posted: 08/08/11 12:27 |
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Sheffielders love or loathe it, but Council workers must have a sentimental streak, since some dramatic graffiti has remained in place (for years) on a link bridge at a precarious height on Sheffield’s iconic example of brutalist 60’s architecture, Park Hills Flats, which sits resplendent above the city’s railway station. In fact recently the graffiti, […]
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Contemporary threads: a new OCA textiles course
Posted: 04/08/11 12:43 |
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A new OCA Textiles course at level 2 (HE 5) was launched this week. I think it’s the most exciting course in the OCA textiles degree pathway suite, since it challenges students in all sorts of ways, both practically and philosophically. Called Contemporary Textiles, the course focuses on tactile and visual design ideas and a […]
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The probity of drawing: 90% looking, 10% doing
Posted: 03/08/11 11:45 |
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One of Britain’s foremost landscape painters, Peter Prendergast’s work has recently been collated into a website. http://www.prendergast.co This site, managed by his family, gives an insight not only into the iconoclastic quarry paintings for which Prendergast is renowned, but also into previously-unseen work. OCA tutor Jane Parry reflects on the work of this consummate landscape […]
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What value art? What value Lucian Freud?
Posted: 25/07/11 10:06 |
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Lucian Freud died in July 2011, aged 88, (see BBC news report which contains an interview with Sue Tilly, one of his best know sitters.) His death prompted renewed discussion about the price raised on one of his most famous paintings: Tilly the benefits supervisor, which broke the record for the highest price paid for […]
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