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Jim Jarmusch – A Consumate Filmmaker

The vampire genre features in the Film Culture course with a special reference – and I make no apology for this – to Jarmusch’s wonderful 2013 classic, Only Lovers Left Alive. My affection for Jarmusch’s work is partly due to my sense of a kindred spirit; he worked as a sound recordist in the eighties as I did. There, sadly for me, the similarity ends. Musician, composer, editor, actor, camera operator, screenwriter and director, Jarmusch’s talents are many and with his latest film, Paterson, I am, yet again, in a swoon.

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Serious about sci-fi

I have written about science fiction in the cinema before and students of the Film Culture course will know that the genre features in it too. At this time of year I am occupied most evenings – and on rainy afternoons too – watching the latest releases and catching up on what I have missed this year in order to have a view about which films to vote for in the 2017 BAFTA awards. To me, there is simply no substitute to watching movies on a giant screen and sci-fi has to be seen this way to be fully appreciated.

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