Adam, Author at The Open College of the Arts - Page 2 of 6
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Adam


What makes a cult film

I am sure we all have our own list of favoured cult directors and films; the more obscure, the greater one’s cineaste credentials. I am not going to reveal mine, but I do wonder what credentials are needed for both the creator and the created.

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Sizzling summer blockbusters – A Hollywood fantasy

What is it about the Hollywood movie marketing machine? Headlines are everywhere about the latest box-office busting summer hit. This time it’s Wonder Woman, as I type the largest ever grossing film by a female director. Actually one of the most successful movies by a director of any sex.

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A very French affair

This year the festival kicked off with the all-important Cannes scandal that is meant to shock, enrage and stimulate debate. It was the inclusion of a Netflix movie that – shock, horror, was not going to have a cinema release in France.

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It's all in the soundtrack

There is one thing that exercises my ire when watching films more than anything else and that is the pointless over use of music and sound effects. Television is the main culprit, but cinema is also in the frame. I have railed against the ghastly wash of muzak as background fill with broadcaster and fellow producers and dared them to simply live without it.

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Never let the truth get in the way of a good story

I put my hands up. I love to watch films that claim to be retelling a true story.

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Watching movies can be hard work

So much of the time most of us spend at the cinema is simply being entertained – and that’s a great thing, don’t get me wrong. But there comes a time when just being entertained really isn’t enough. As those of you who read my occasional blogs will know, I’m a bit of a fan of the double bill. It’s environmentally friendly – fewer journey times – but often such long evenings out are emotional, intellectual and sensory overload.

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Asghar Farhadi – An artist for our times?

Whether The Salesman, Asghar Farhadi’s latest movie was deserving of its Academy Award this year – there has been much discourse amongst film critics that this is well off his best work – there is no doubt that he is one of the most important and brilliant film makers of today.

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What we look for when we go to the movies – the sequel

Recently I wrote about what I am looking for when I go to the movies – the suspension of disbelief being paramount. However, there are times when one needs to see a film, a difficult, challenging film from which you know you will emerge shattered, angry, sad.

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I’m not going la la am I?

It was the night of the BAFTAs and I found myself throwing screeners at the TV in rage and disappointment. What did my fellow members think they were doing?

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Rules of creation

“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul…”

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