Automation of Art (Part 01)
Does the digital process and the automation of creating take anything away?
Read MoreTo find out more details about the transfer to The Open University see A New Chapter for OCA.
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Skip NavigationDoes the digital process and the automation of creating take anything away?
Read MoreIn this blog I intend to touch upon the benefits of collaboration with other artists as a way of releasing control and sharing the identity of my artwork.
Read MoreFolk art has often been neglected in the story of British art: by uncovering this treasure trove of folk art objects, this exhibition asks why.
Read MoreSome of my recent freelance composition work has seen me writing exam pieces for a large worldwide music examination board. As a result of this, I was asked with other colleagues whether I’d contribute tips for composition and creativity to be included in their resources section for students. A rather wonderful feature of the board’s […]
Read MoreJoin OCA tutor Mark Clough at the Walker Art Gallery to see Grayson Perry’s ‘Vanity of Small Differences’ tapestries and the John Moores’ Painting Prize 2014.
Read MoreHow can you create work that looks new?
Read More‘Assessment blight’ is a real and present danger for all students but for many students though assessment is, and should be, a fantastic learning opportunity. It is a point of punctuation, a nudge to pull your thinking together and gain some perspective and clarity.
Read MoreOCA tutor Sarah Taylor on her collaborative project exploring ways to create dynamic and unexpected visual effects within ‘a collision of craft and technology with responsive materials’
Read MoreOn Sunday 29 June, at 11am OCA tutor Neil Musson will be leading a study visit to the Royal College of Art’s (RCA) postgraduate degree show.
Read MoreOCA is organising an opportunity for textile and visual communication students to visit two major degree shows in London. The first will be the New Designers exhibition: on Saturday 28 June at the Business Design Centre, Islington at 11am.
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