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Textiles


Student work: Accidental lessons – sourced through higher learning thumb

Student work: Accidental lessons – sourced through higher learning

Through my BA, I have personally observed how within art, the physical act of creating, we can find our own version of OK. This was not something I set out to discover or had any prior inkling of; yet it is a topic I now feel so strongly about, that it has become deeply embedded within my practice.

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Student work: Heidi Sumner – The design development process. thumb

Student work: Heidi Sumner – The design development process.

I received the work from Heidi Sumner a Foundation Textile student a few months ago. I wanted to share her creative work with you here and discuss the concept design development. The foundation course with the OCA is an introduction to the skills needed for Textile studies. Students are asked in part 1 to experiment […]

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Study event review: Halifax OCA-North Meeting thumb

Study event review: Halifax OCA-North Meeting

Our group comprised textiles, painting/drawing and photography students at all three levels. This, in itself, was an important factor contributing to open and critical discussion. Added to this was Rebecca’s excellent talk on her own practice and formation as an artist and tutor. Following this she led a discussion on work that several of us had brought along.

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Textile study weekend March 2019 thumb

Textile study weekend March 2019

The overall aim of this weekend is to bring together textiles students from across the UK and further afield to focus on practice, critical thinking, a critical evaluation and the impact on the standards of student work. Join OCA tutors Rebecca Fairley and Neil Musson in Bristol on the 9 and 10.

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Using traditional textiles today thumb

Using traditional textiles today

Often when thinking about textiles utility comes to mind. This connotation is largely attributed the medium’s rich history across a variety of cultures, from decorative medieval unicorn tapestries woven from wool and silk thread; to the Kente fabrics of 17th century Ashanti weavers today in Ghana; to Peruvian woven rugs and tapestries of the Quechua tradition. An integral part of community and daily life, textile fabrication has provided people with shelter, costuming, decoration, protection comfort… and has also been used to document and express narrative.

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