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fine art Blog Posts- Page 21 of 25 - The Open College of the Arts

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We are connected thumb

We are connected

We’re always excited to hear about student collaborative projects here at OCA HQ. From sketch circles, group exhibitions and fanzines, to an artist’s book that was three years in the making. The latest success is an interactive website designed by the final year MA students.

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Call of the North and Hero City: a screening and talk with artist Ruth Maclennan thumb

Call of the North and Hero City: a screening and talk with artist Ruth Maclennan

Join OCA Moving Image course author Ruth Maclennan on the 4 February in London. Pushkin House in association with Open College of the Arts is pleased to present two recent films by Ruth. After the screening the she will be in conversation with Vlad Strukoff, Associate Professor in Film and Digital Culture at the University of Leeds.

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In conversation with: Angela Fraleigh thumb

In conversation with: Angela Fraleigh

My work is about how meaning gets made. I’m interested in how narratives become dominant, how power structures evolve, and what roles pop culture, literature, and art history play into this. From early on I’ve collapsed what I see out there with what I’ve created internally — an overlapping of cultural and personal narratives. I try to question how those cultural narratives are structured and unfolded, and how they shape our experiences.

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William Kentridge and Vivienne Koorland: Conversations in letters and lines thumb

William Kentridge and Vivienne Koorland: Conversations in letters and lines

Join OCA tutor Wendy McMurdo at the Fruitmarket Gallery in Edinburgh on the 14 January.

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The purpose of drawing thumb

The purpose of drawing

My role as programme leader for the new Drawing Degree has brought me to Chester University to participate in the iJADE conference 2016. Delegates had come from all round the world to present papers on a wide range of approaches to drawing. My interest in attending was both to discover new perspectives in drawing as a tool for education and also to consider the way practitioners from a wide variety of fields are using drawing as a major part of their research.

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Favouring the bold thumb

Favouring the bold

Abstraction appeared to be taken at face value and enjoyed, rather than seen as evidence of under developed motor skills. As an assessor of undergraduates I felt that I would have selected the same work myself and so I was drawn to look at the assessment criteria used by the panel.

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Study Visit: Rauschenberg thumb

Study Visit: Rauschenberg

Painting tutors Emma Drye and Bryan Eccleshall will be leading a Study Visit for Level Two and Three students on Saturday 10 December at Tate Modern. It should be a challenging and enjoyable experience for all of us. OCA will be running a second visit to this for Foundation, Level 1 and any students who cannot make the above on the 21 January 2017.

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Traditional textile techniques used in contemporary ways – Part 4: Weaving thumb

Traditional textile techniques used in contemporary ways – Part 4: Weaving

Weaving is an ancient craft used over the centuries by many cultures to create fabric for the home and clothing. The method of creating structure by interlocking threads continues to be explored and developed by artists and designers a like. In this blog post in the series about how traditional textile techniques are being developed for contemporary sensibilities I will be giving you a taste of how weaving can be at the cutting edge of fashion, design and art.

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Georgina Emmett thumb

Georgina Emmett

OCA tutor and assessor Bryan Eccleshall looks at the work of BA (Hons) Painting student Georgina Emmett. Bryan investigates how Georgina uses the shadows cast by trees as a compositional device. It reminds us that the shadows cast by objects are actually like objects themselves.

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