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Mark Charlton writes about his 10-year journey to becoming a writer

To find out more details about the transfer to The Open University see A New Chapter for OCA.

The road to becoming a writer thumb

The road to becoming a writer

Mark Charlton completed his OCA studies and graduated with a first class degree in September 2012. His first book, Counting Steps, Journeys into Landscape and Fatherhood is published by Cinnamon Press this month.  Mark blogs regularly at Views from the bikeshed and has just tutored at Ty Newydd, National Writing Centre, Wales with the acclaimed travel writer Rory Maclean. Here, he writes about his 10-year journey to becoming a published writer and asks what ‘being a writer’ really means.
A few weeks ago, the final proof of my first book arrived in the mail.  ‘So you’re almost a bona-fide writer,’ said a friend, meaning it kindly, but unaware how limiting this attitude can be.  For the notion that only published authors should be considered  ‘proper writers’, seems to me to be very wide of the mark.
My book was ten years in the making.  In a sense, it began when I started scribbling words in my sketchbooks. Soon after I enrolled with OCA, and it’s no coincidence that when I attended the graduation ceremony last month, my book was nearing publication too.  Much of its content is drawn from essays I submitted in the level two and level three modules – other essays are developed from my blog, which began as a sideline experiment and last year received over 50,000 page views.
So if it’s not publication that matters, what is it that makes us ‘proper writers’? In the feedback notes of my first course – Starting To Write – my tutor made the assumption that I’d already made that step.  In her view, the act of putting pen to paper (or fingers to keys) for almost anything beyond paying a bill was qualification enough. We are writers when we send letters, draft emails, make up ditties for our children – even lists in the right context can be creative material.
I agree to a point.  First steps are important and setting eligibility criteria is not helpful. In his early teens my son bought a ukulele, and within a week casually referred to himself as a musician.  You’ve only had it a few days, I countered. ‘So what,’ he replied, ‘I can play some tunes and I’ll get better with time.’ He was right of course, and three years later he can play and compose on almost any fretted instrument – the irritating talent of youth!
But in truth, I think there’s a second step to becoming a writer.  It’s about loving the process as much as the output. When we take care with the words: when we read and reread what’s on the page, returning for the umpteenth time to replace a verb – that’s when the writing has become truly important.  I looked back the other day (for I keep everything on file) and realised I’d written more than a thousand drafts over the course of my studies. Similarly, my son’s talent for music comes from hours and hours… and hours of practice.
If I ventured a third step, it would be welcoming feedback. Most of us swell when receiving praise, but it’s constructive criticism which takes us forward.  Without OCA I’m not sure I’d have learned to embrace that so openly – and frankly, I’m not sure where I’d have received it either. All of my tutors balanced encouragement with more critical appraisal. The trick was to be open to both – even if that meant starting over – after all, it’s what I was paying for!
My journey as a writer is inextricably linked to OCA. Like many authors, I relish the solitary hours with my keyboard (I’m writing this in a shed as rain lashes its windows) but without input and interaction our steps are likely to falter. Being published is a delightful extra; a validation that my work has some objective worth – but through OCA and the magnificent support of my tutors, I’ve come to understand there’s much more to be being a writer than seeing our words in print.


Posted by author: Elizabeth Underwood

10 thoughts on “The road to becoming a writer

  • Mark, congrats!
    Reading the post reminded me of the TED talk by Chip Kidd talking about book design, and it suddenly came to mind, that I hope you have, like he says… run your fingers over the pages, and smelled the paper and the ink. Enjoy!
    You touch on a few really interesting points…
    For one ‘…loving the process as much as the output…’, the old saying goes that it’s the journey that counts (and all that), and I think it is important to sometimes remind ourselves of that, because I guess sometimes we can get too fixated on where we think we should end up.
    For another, ‘…without input and interaction our steps are likely to falter…’, this was a recent thing I really thought hard about, how much interaction and support I feel comfortable giving and accepting, and how that makes an impact on what I produce as artist, and in the end, came to the conclusion that it is an absolutely invaluable two way relationship between those who find themselves interested or invited by what I do, and those whose work I can learn from and enjoy.
    Your sentence ‘…a validation that my work has some objective worth…’ struck me as a starting point for an interesting self-analytical line of thought… yes, as you rightly say, it is a delight… as tricky as it sometimes is to benchmark (and to know what to validate) yourself against that which is already out there, while still having the desire to be fresh and original.
    Again, congrats on the graduation and the book.
    All the best
    Dewald

    • Thanks Dewald.
      A major influence on my approach to writing was in fact my painting tutor, John Skinner. I only realised this later, but perhaps more than anyone he taught me to have self confidence, and to be prepared to take risks. He had little truck with external validation but was rigorous in self appraisal – ‘If it isn’t good enough, you will know,’ he would say – and I reckon he’s right.

  • Congratulations on the degree Mark. I’ve always enjoyed reading your blog and have been thinking how much hard work and thinking time goes into words which seem to flow so effortlessly. The main aspect which has come through for me is how fully you involve yourself in whatever you’re writing about.

    • Thank you Catherine. It always surprises me who reads the blog, and I’m delighted you enjoy it. You are right about the hidden effort in what might appears to be effortless words. I read somewhere that George Orwell spent hours drafting a redrafting his ‘casual’ style – but boy was he good.

  • What a refreshing and comforting attitude! I think you’ve hit the nail on the head here, for years i’ve been writing but it wasn’t until three years ago when I signed up with the OCA and finally let someone else read my work that I started to grow and realise being a writer is about enjoying the process and the final peice…even if i’m just writing for me 🙂

    • Thanks Carlie – I couldn’t write if I didn’t enjoy the hours at my keyboard, and it sounds as though you feel that way too.
      Something I also enjoy is reading my work to others , which I suppose is a publication of sorts (or is it a performance?). Perhaps there’s a local writing group near to you – I find that reading aloud to other writers is often a good way of testing the final piece.

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