To find out more details about the transfer to The Open University see A New Chapter for OCA.
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The important point is our brains are wired in a certain way and we invent and build the world in our heads as much as perceive it as ‘truth’. This is important for anyone attempting to represent three dimensions in two. The world is indeed out there but perhaps capturing it requires more intervention than we might initially think.
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‘The Gathering’ 2018, repopulating a space in Romania left abandoned since the revolution in 1989 I learnt a lot from my conversations and brief collaboration with the late great Will Alsop. Most notably that not everything has to make sense – actions do not always have to be justified. Play is the beginning of creativity […]
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The motivations for my becoming the OCA student representative for Equality and Diversity are deeply embedded in my personal experiences of racial and social class based injustices. I felt that this personal context was important to illustrate my interest and commitment to the role. But equally I wanted to add a real life dimension to the discussion on equality and diversity.
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Queues outside supermarkets have become strange symbols of this, epitomising how one of life’s most everyday activities has come to feel risky and dangerous. The usually unnoticed has become unsettlingly conspicuous.
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From Vicky Mackenzie’s ‘Tutors thoughts’ through Steve Cusson’s work ‘Prison Cinema’ and onto Therese Livonne and her self portrait the 9th edition of Edge-zine is packed with thought provoking work and articles from across the Open College of the Arts range of disciplines.
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When I started my first module with Open College of the Arts, I hadn’t even committed to a Undergraduate degree let alone considered the possibilities of going on to study at master’s or PhD level, but here I am! My time studying with OCA allowed me to start believing in myself giving me the opportunity to fully explore materials and techniques that lead eventually to a very research-based approach to my practice.
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“Her talent lies in combining traditional materials with contemporary techniques and in materialising the ephemeral as she uses new technologies as a research method and inspiration in her design process.”
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“I was always fascinated by different materials and techniques. During my jewellery studies, textiles and especially the process of weaving and textiles construction has become a big focus. The contrast between the hard metal and the soft thread caught my attention.”
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I’m constantly fascinated with how light can transform the perception of a space and the relationship between light and materials. My use of materials and processes are the result of my exploration of different planes, distortion, translucency, line and structure.
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Investigative and experimental sampling requires both an open-mind and a focussed approach to ensure the work created is coherent, exciting and new.
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