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21 talks and 24 days later

All perfectly logical, as it turned out, but it got me thinking about the links between the places that I was visiting and the talks that I was giving as well as about the idiosyncratic relationship that Australia seems to have with maps.

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Student study event news

Following a review earlier this year it was agreed the funds provided to OCASA would be substantially increased to encourage both a wider distribution of funds to students and to encourage a diversification in the types of activities available to students.

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A Letter from Venice – Part Three: Shezad Dawood's 'Leviathan'

The underlying theme of this work — migration — is to be found throughout the Biennale but Dawood filters it through a lens of dystopian fiction and biology which has the effect of questioning rather than recounting stories of exodus and displacement.

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Thinking about scale in textiles

In tutorials with my students we often discuss scale. Many of them are afraid of trying to work large and usually feel more comfortable painting and making on a smaller scale. In this blog post I will show you 3 exciting textile artists and their installations – pieces that exploit the possibilities of textiles on a very large scale.

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Get familiar with your local gallery

There are hundreds of smaller galleries across the country showing a wide programme of work. They may feature local/regional artists or show touring exhibitions. It is well worth getting frequented with the galleries in your local area and subscribe to their mailing list to keep up to date.

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A Letter from Venice – Part Two: Phyllida Barlow's 'Folly'

Phyllida Barlow’s work has been seen throughout the UK recently — at the Hepworth as part of the inaugural sculpture prize, and filling Tate Britain’s Duveen Gallery and Edinburgh’s Fruitmarket. Her work is on show until late November in the British Pavilion at the Venice Biennale. Much of the work on display in Venice speaks of migration, ethnicity, and post-colonialism — I’ll cover this in other posts — but Barlow has produced a work that is concerned with traditional sculptural concerns: space, weight, scale, and so on.

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