Patricia Farrar coloured my world
I am heartbroken to have to share the news that OCA student and artist Patricia Farrar passed away at the weekend.
Read MoreTo find out more details about the transfer to The Open University see A New Chapter for OCA.
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Skip NavigationI am heartbroken to have to share the news that OCA student and artist Patricia Farrar passed away at the weekend.
Read MoreExploring Media is the long-awaited new stage two painting course for all students on the painting pathway. The majority of the course was developed by lead author Hayley Lock, but this course is unique in that it was also shaped by current stage two students through our bi-monthly studio meetings last year.
Read MoreAs Programme Leader for both the painting and drawing degree pathways I am very pleased to present the finissage of the painting and drawing ecology group’s recent group work, led by artist and tutor Lydia Halcrow.
Read MoreA chat with Arlene Sharp, Emma Drye and Therese Livonne about digital assessment
Read MoreWe are very honoured to have the excellent artist and influential curator Simon Carter taking over our instagram account over the weekend of 29/ 30 August.
Read MoreThe broad and experimental character of the drawing degree is supported of course by the curriculum, and a big part of that is the lovely new drawing degree unit called ‘a personal approach to drawing’ (DR5PAD), so I am delighted to have a chance to have a conversation with one of its authors, Simon Manfield, about his practice.
Read More“The journal Urania is somehow poly-vocal. Urania ran from 1915 until 1940 and it was the first British magazine to produce a cultural and political discourse on gender issues and the demands of lesbian and gay individuals and communities. The name refers to a specific idea of Utopia, as a place where the categories of ‘male’ and ‘female’ do not exist.”
Read MoreJoin OCA tutor and Programme Leader Emma Drye in Halifax on the 30 March.
Read MoreHello – I’m Emma Drye and I’m the new programme leader for both the drawing and the painting pathways. For everyone on those pathways, I wanted to write to you to introduce myself and some of my ideas.
Read MoreThe exhibition as a whole enabled us to see a range of work from the strongly contrasting lino cuts to the super fine cobwebbby weave of some of the lithograph work which had been even further smoothed over and refined with sandpaper and crayon.
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