Emma Drye, Author at The Open College of the Arts
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Emma Drye


In conversation with: Drawing degree tutor Simon Manfield

The broad and experimental character of the drawing degree is supported of course by the curriculum, and a big part of that is the lovely new drawing degree unit called ‘a personal approach to drawing’ (DR5PAD), so I am delighted to have a chance to have a conversation with one of its authors, Simon Manfield, about his practice.

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Urania

“The journal Urania is somehow poly-vocal. Urania ran from 1915 until 1940 and it was the first British magazine to produce a cultural and political discourse on gender issues and the demands of lesbian and gay individuals and communities. The name refers to a specific idea of Utopia, as a place where the categories of ‘male’ and ‘female’ do not exist.”

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Message to drawing and painting pathway undergraduates

Hello – I’m Emma Drye and I’m the new programme leader for both the drawing and the painting pathways. For everyone on those pathways, I wanted to write to you to introduce myself and some of my ideas.

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Study visit review: Kathe Kollwitz

The exhibition as a whole enabled us to see a range of work from the strongly contrasting lino cuts to the super fine cobwebbby weave of some of the lithograph work which had been even further smoothed over and refined with sandpaper and crayon.

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Exploring Drawing Media

I am very pleased to announce that the new drawing HE4 course, Exploring Drawing Media, is now available for students at level one . The course is part of a fantastic drawing degree pathway being developed by programme leader Doug Burton and his team. Having written for HE5 and 6 (levels two and three) I was so pleased to be able to write this course for the Open College of the Arts.

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Study visit review: Rauschenberg

I hope many more students will find their way to the show over the next few months. It is a great show to experience as an undergraduate, or as an artist generally as it is a reminder to have a blast and go for it.

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Are you ready for the work of Monica Bonvicini?

Join OCA tutor Emma Drye on the 21 January in Gateshead.

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Favouring the bold

Abstraction appeared to be taken at face value and enjoyed, rather than seen as evidence of under developed motor skills. As an assessor of undergraduates I felt that I would have selected the same work myself and so I was drawn to look at the assessment criteria used by the panel.

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Etch a sketch project

One of my HE6 students is a keen ideas person who finds thinking through making very enjoyable and is always experimenting with new and unusual materials and processes. She is currently ‘toying’ (pun intended) with making work using the excellent etch a sketch as a medium and has asked me to forward this message from her to see if she can make a collaborative preliminary work that will then be mediated through a secondary process to create one very complex drawing.

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