Derek Trillo, Author at The Open College of the Arts
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Derek Trillo


How to make research writing easier!

A Win-Win situation: citation software… What would you say if you were offered less work, better-focused research, easier and quicker writing, better accuracy of citations and bibliography and everything as neatly organised as a series of music playlists? Okay, who wouldn’t say yes? However, this is a post about one of the most boring topics […]

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To creatively focus on the present

We may not all have access to outdoor spaces with the chance to nurture and grow, but our creative endeavours – even simply the planning of, or reflection on them, facilitate a state of mindfulness: ‘to still a busy mind, settle into a new activity and refocus on the present’

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Study event: Format19 festival

Join OCA tutors Derek Trillo and Helen Warburton in Derby 15-17 March 2019. Spread over three days you could choose one or two days, but would get more from the weekend and a greater sense of community and cohesion with fellow students the more days you can attend.

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Produce, Re-use, Recycle…

In 2005 an 8 year old girl was told by a security guard to stop sketching Picasso and Matisse paintings as ‘they’re copyrighted’ (Jardin 2005). So what is a copy and how much new, creative work is required to term the work as ‘influenced by’, or an ‘homage’?  Is her version in a different medium a copy?

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Posting images post-digital

We all use – and therefore copy – artworks to illustrate our own research, but as we have seen taking and using these images is complicated. In this post I am using the primary source of artworks – galleries – as a case study to examine the post-digital shift in how copyright is thought of and applied.

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What has Hogarth ever done for the digital artist?

The question of copyright is one that has recently perplexed the student forum: a tangle of legal, moral and financial issues. Creative talent occupies quite a rare position in society, one deemed worthy of automatic protection against duplication and exploitation. In a series of blog posts I will attempt to clarify three related issues: the capture of images that may infringe copyright, the use of other people’s images as illustrations and the appropriation and altering of artworks to produce ‘new’ work.

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