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Ben Gaunt
In conversation with: Rob Bentall
Posted: 15/08/17 09:02 |
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“I think piece titles are very important! A piece should drape naturally from its title, in the same way a coat hangs off a peg. I often find the music suggests a title, which certainly happened in Summer Anthem, with the title drawing upon the generic association of dance music with the summer season and of this genre with club ‘anthems’, this term often indicating a big hook.”
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Exploring David Lake’s listening logs
Posted: 17/07/17 09:04 |
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It is easy to dismiss the Listening Log as less important than the composition component of an assignment, but this is not the case; listening is a crucial part of improving one’s musical ability. Therefore, when assessing, it is wonderful to see the work of students who have fully embraced the Listening Log, and David Lake’s submission is a perfect example of this.
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In conversation with: Piers Tattersall
Posted: 21/06/17 09:47 |
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Piers is, along with pianist Christopher Guild, a founding member of The Edison Ensemble and is currently a PhD student at the university of Brunel studying with Professor Peter Wiegold. Much of his recent music utilises the radio.
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Ensemble in focus – The Hermes Experiment
Posted: 30/05/17 09:36 |
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This is the first in a series of blogs where I introduce OCA composers (or, indeed, anybody else who might be interested) to UK-based ensembles, particularly those that are young, exciting, and focus on performing newly composed music.
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New music tutor: Introducing Ben Gaunt
Posted: 02/11/16 09:42 |
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Composing music is hard. Actually, I believe that if you start to find composition easy, it may be likely you are taking shortcuts, and missing opportunities to develop as an artist. Composing music should be hard. Over the last couple of years, however, I have found a way of making the process of writing music seem a little less intimidating.
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