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A long time ago… Back in autumn 2019 – which feels like a galaxy far, far away – OCA first piloted online submissions for the Creative Writing degree. It made sense: writers are used to submitting work electronically, for competitions and to agents or publishers. Very few organisations expect hard copies of writing work these […]
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In these times when we recognise the need to encourage young people to read, it’s important that children see fictional characters they can identify with. Many readers can remember that feeling when the characters they read about may as well be creatures from Mars, for all they had in common. It used to affect young readers who were working class, for example. But while representations of different social backgrounds have improved in children’s fiction, the same can’t yet be said of ethnicity.
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The Creative Writing department is now offering Zoom-based peer hangouts and workshops for students at HE6 (Level 3) on a regular basis.
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Imagine going to the doctor’s and coming out with a prescription – for a good book. It’s really not as daft as it may sound. And what’s more, the notion that our mental wellbeing can be improved by something other than pills is far from new.
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Lockdown in mid-March prompted two responses. First was a recognition that getting outside for parts of the day without bumping into other humans would become a very valuable thing. Second, I had some new time, that used to be spent travelling and trolling the train companies about their poor service, and I could put this to good use by sorting out my embarrassing back garden.
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Congratulations to OCA Level 2 (HE5) Creative Writing student Elaine Simmonds, who’s been long-listed in the second Comedy Women in Print Prize. The CWIP is the UK and Ireland’s only prize to shine a light on work by funny women. Elaine, who’s just completed her Life Writing unit with OCA, submitted her novel The Club For Mature Indulgence.
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