I am an artist. My practice has an extensive history of making, one strand of which explores the concept of bookness. The hybrid nature of the book form has led me to undertake an extensive range of commissions and exhibitions. The work can also be found in numerous public and private international collections.
A desire to collaborate underpins my work, evidenced in an extensive history of socially engaged residencies in a wide range of contexts. Teaching formally within Art Colleges informs one’s own practice and continues to connect me with current creative thinking. I am interested in making work that communicates with people whilst leaving space for the viewer, enabling them to stop and reflect.
The work I am involved in with communities, pupils and students has its roots in attempting to make the world a better place through creativity. A belief in art as a tool for change, as a way of engaging with this world, of seeing its beauty and opportunities and supporting the individual to develop their own understanding. OCA is the future – I love the excellent systems that are in place to support students which in turn enable me to be a good at my job.