Relatively recent technical advancements in the recording, structuring and dissemination of the moving image mean that practitioners across the wider photographic spectrum have at their disposal incredibly sophisticated tools for the development of their ideas. Photographers are increasingly expected to extend their individual photographic vision through to the moving image. In this unit you will explore historical and contemporary strategies (a combination of technical, visual and conceptual methodologies) in this expanding field of photography. You will explore and exploit the temporal specificity of the moving image as well as consider the moral and ethical concerns of its dissemination.
You will increase your awareness of contexts and frameworks and be encouraged to develop your personal practice and photographic vision in an expanded debate on the photographic image. You will be encouraged to employ experimental and creative approaches in order to develop a reflexive practice that involves the development of your own ideas into compelling moving image products. This unit employs and encourages a conceptual approach and you will be aided in creating and developing your own individual research methodology as well as identify appropriate output contexts. Throughout the unit you will be invited to show increasing autonomy and to interact with the wider community of learners at the OCA.
This unit aims to:
- Extend your technical and visual skills in moving image production.
- Use visual and contextual research to inform your moving image practice.
- Use experimentation to explore and extend your knowledge of moving image practices and genres.
- Understand the historical and contemporary contexts of moving image practices and reflect on your own practice.
On successful completion of the unit you will:
- Demonstrate a comprehensive knowledge of technical and visual skills through a portfolio of moving image practice (A1)
- Demonstrate how research has informed your moving image practice (A2)
- Demonstrate how experimentation has informed your moving image practice (A3)
- Situate, reflect and critique moving image practices and reflect on your own learning (A4)